Florida Voices
Florida Voices is an initiative of the Florida Electronic Library to support all types of libraries and cultural heritage organizations in Florida.
Florida Voices
 

V. The many uses of oral history

One of the best reasons for doing digital versus traditional oral history is the ease with which digital interviews can be made accessible to a worldwide audience via the Internet, as well as through multimedia projects including DVDs, CDs, books, radio and television documentaries, museum exhibits, and live performances. Below are some suggested resources on and examples of publishing, performing and promoting public access to oral history:
  1. Overviews
  2. Community oral history
  3. K-12 oral history
  4. Multimedia documentaries
  5. Museum and web exhibits
  6. Public performances
  7. Publications
  8. The future of oral history
1. Overviews
2. Community oral history
3. K-12 oral history

In addition to the [begin hyperlink] Teaching resources listed in the directory on this site, there are many ways to use oral history in K-12 classes. Perhaps the classic school oral history project is to assign students to interview a grandparent or other relative about a historical event, such as World War II or the civil rights movement, or about their memories of childhood or other life experiences. For younger students, interviewing each other is a good way to get started in the basics of oral history. Interviewing relatives and leaders from students' home communities has been a particularly effective tool in teaching non-native English speakers and/or students who struggle with written communication. At Turner Tech High School in Miami, for example, students interviewed civil rights leaders in south Miami in Spanish, transcribed a short portion of the interview, and then translated it into English (access the interviews via Florida International University's Digital Collections Center) Oral history is also very conducive to service learning objectives (see Kathy Barber Hersh, How to Make History: Using Oral History in Community Studies and Service Learning Projects ) and Stephen Warren, "Service Learning and the Historian's Task," OAH website)

A variety of pedagogical objectives can be achieved using oral history, such as:

  • competency in working with computers and multimedia
  • improving organizational, written and oral communication, presentation, and collaborative skills
  • cooperative classrooms and experiential learning (see A. Glenn Crothers Journal of American History )
  • multicultural education (see an example at University of Wisconsin-Milwaukee)
  • encourage civic engagement and interaction with the local community

To do an oral history project on a low budget and still get decent audio in a web-ready format, use inexpensive .mp3 players that now include recording capability. Many high school students already own them, and sound quality can be improved with the use of a mini-jack microphone. See the USF Oral History Program's guide, "Recording with iPods."

4. Multimedia documentaries
5. Museum and web exhibits
6. Public performances
2008 Oral History and Performance Conference, New York City

Armstrong, Ann Elizabeth. "Paradoxes in Community-Based Pedagogy: Decentering Students through Oral History Performance," Theatre Topics v10.2 (Sep 2000): 113-28

Carlin, Phyllis Scott. "From Ethnography to Social Action through Oral History in Performance"

Pollock, Della, ed. Remembering: Oral History Performance.
Book description from Amazon.com: "Drawing on the work of scholars and practitioners such as Augusto Boal, Gloria Anzaldua, and Trinh Minh-ha, these essays advocate oral history and oral history-based performance as means to challenge and expand upon traditional ways of transmitting historical knowledge. The contributors' central concerns are performative aspects of oral history itself and the theatrical or classroom "re-performance" of oral history. The essays detail classroom and public pedagogies, community-based interventions, processes of developing interview-based performances, and the ethical and political implications of oral history as an embodied form of representation. The essays collected in this volume present the most current scholarship straddling the rich intersection between oral history and performance, and together suggest ways for scholars and performers to use oral history to challenge more traditional modes of knowledge."

7. Publications
See Florida and non-Florida publications in the Directory of oral history collections, programs and resources.
8. The future of oral history
University of North Carolina Southern Oral History Project
Indiana University/Harvard University Sound Directions: Digital Preservation and Access for Global Audio Heritage
TOP | HOME | NEXT